MADE FOR YOU AND ME 2: hive Being (Stanzas 2017--part 89)


scent of the day: Nose Rest Day


*This is a portion of an ongoing mosaic poem called Made for You and Me. This portion is from the first installment: hive Being (Stanzas 2016-2020). More specifically, it is from the 2017 portion of that five-part work.

MADE FOR YOU AND ME 2: hive Being (Stanzas 2017—part 89)

Spiderman in the desert

the nerds now do the killing—via drones

a smoked aroma on the head of the vibrator weeks after the ice-cream-tub marathon

how to trust the doctor, so young, with your dying

the days of sweethearts in wallets rather than cellphones

not seeing that others suffer too means not exiting adolescence

even white male babies have as much value as crippled black ones—it is just a fad

before you shoot up whole theaters on the slide to suicide, remember it is just a fad

play-acting drunk, in a cash-only pinch, because sober sex is too serious

the whore dozing mid vanilla fuck, you only lengthen the ordeal by feeling bad about how long you are taking—either tuck her in or choke your way into the dehumanization that gets everyone off

septic clitoridectomies

embrace of transgenderism even as we reject transracialism

an addict’s promise to the mirror: “Just one.”

the medical prolongation of dying now a norm that would buoy Goebbels

meeting someone for the first time whom you have already beat off to: “Yeah slut!”

the moral alibi of a sofa blanket as you beat off next to the peekaboo toddler

merely because you are a good person you deserve to achieve something unrelated to being a good person?

famous war sites reclaimed by the bloom of flora

an addict’s promise to the mirror: “This will the last.”

even if you were born to be hanged, you could still be drowned first

what will the rest of us miss if you do not die?

their corpses sold for anatomy lessons, commodification— thorough enough to match Prairie-Tribe usage of buffalo— sometimes extended beyond the life of the “nigger slave”

donated bball jerseys that do not quite fit the kids on the block

play-acting drunk because who rides a stranger rubberless on the last train home?

if you are going to drop the n-bomb, do not come sheepish with it—full throat, from below the belly like secure singer

our inner voicing of the obvious to ourselves— that lady is beautiful—is to make it human-real and to carve a space to check if we are correct

no matter what you might hear, it is impossible to be a bad house guest of the World-All—unless, of course, we lower the bar enough to count spiders and lions bad

we could at least trust that the one who goes psycho does not work, or at least does not think he does, for the man—and so we elected the untrustworthy

would you be willing to hand your friend the kill pills were he to request them?

for whom, seriously, are all these photos interrupting our experiences?

play-acting drunk beneath Mom’s squirting cowgirl to spare her at the breakfast table

our constant rerun of some shame, although as normal in private as flying dogs in dreams, would look insane broadcasted on a news ticker

the dying-battery warble of cassette music

the body of the porn star seeming cartoonish up close in real life

the herb brought back that infectious laugh of the four-year-old

playing into the narrative of your opponents by rejecting the entire kind of which they are only a dinky species

shared interests have you believe the youth are on your side

the loved one etched so perfectly in your dream

at least you gave someone something to talk about

sold an air guitar with case not included

Botox says “I’d rather be a fuckbot cadaver than someone you can ignore”

if labor is entrenched as unendurable when epidurals become the norm, imagine what happens with death when physician-assisted suicide becomes the norm

enough people around that no one intervenes to stop the mugging

crazy we say are those who verbalize inner thoughts as do children in play

killed for being raped: out of sight out of mind

so much lying from the administration that the people do not even care anymore

men hung as ornaments from the photo tree

imagine blasphemy being a criminal offense

“I’m a good person,” you insist while mewling about not getting the job

teens pleasuring themselves to primetime actresses

on grounds that the political objective is most important, pre-planned answers to questions—questions different from those even asked—are given in good conscience

requesting help with the dishes as a pretense, thinly-veiled but too sad to recognize, for company— and even for a few seconds of shoulders touching

nurtured in nothing but nugatory talk  (weather and sports), now it is easy at least to feel at home among strangers

cigarettes extending the fire season 

drugs to prop up the withering charisma on which everyone was addicted

however noble the activities, escaping into them does not change that you are complicit in the family’s disintegration 

suspicion that community-college teachers and male nurses are ball-droppers—inadequate, perhaps even possessing a criminal record—disseminates even among themselves

might it help to remember that the so-called “ugly cry” is human-all-too-human?

a timorous look over the shoulder before unshelving the self-help book

the dead hand still warm

patronage on one condition: that he be painted—just in the background, of course—in the resurrection scene

to fail to use your nonX platform of privilege to speak against racism against X people is itself racism, and yet to speak too loudly is to elevate your own voice over X-people as if—in an appalling display of racism—you feel you have the right to speak for them

awed humble before Mt. Fuji when above us the whole time was that colossal void of black

needier for your attention  the more absorbed you are in what fails to involve them 


 
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Subway Restraint (ROUND 9)